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Arthur Breur wrote the following description on April 20, 2013:

"Happy birthday, George Takei!

The first section of this ragtime piece is composed off of the letters of George Takei's name, and is intentionally upbeat and optimistic. The theme is intended to represent his youth, his early family life, and his overall personality. I had the pleasure of interviewing Mr. Takei by phone once a few years ago, and it was a delight speaking to him.

The second section represents the internment of Japanese Americans during World War II. It is a sad part of America's history, and George Takei has made it part of his life to bring awareness to a time when America didn't behave so beautifully. The section is composed in a minor key, reflects the melodies of songs of Americana, and is intentionally composed so the melody and the accompaniment are not lined up, as the situation at the time was not in alignment with our country's principles.

The third section is all about Hollywood and George Takei's career as an actor. The melody plays on the many celebratory melodies about Hollywood and show business, right up to the "big finish" cadences that lead the section into...

The fourth section comes as a surprise and suddenly turns a corner into very different places than the earlier sections, while intentionally keeping rhythms and references to other moments in the piece. The melody is classy and sophisticated, even "cool"—the proud protagonist has found his stride, and it's more than just OK to be Takei."

credits

from George Takei Rag & other piano works by Arthur Breur - Carlos Marquez, Piano, released September 12, 2014
Recording ℗2014 Carlos Márquez
George Takei Rag ©2013 Arthur Breur
Sheet Music: www.FloatingHomeMusic.com

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Arthur Breur Portland, Oregon

Composer of quirky, approachable solo and ensemble (concert band, brass band, orchestra, et al) compositions. Available for concert performances and commission of new works. Currently living in Portland, Oregon.

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